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Welcome to “Reading and writing data with humdrumR”! This article will give you a detailed overview of humdrum\(_{\mathbb{R}}\)’s data reading and writing functionality.

This article, like all of our articles, closely parallels information in humdrum\(_{\mathbb{R}}\)’s detailed code documentation, which can be found in the “Reference > Reading and Writing” section of the humdrum\(_{\mathbb{R}}\) homepage. You can also find this information within R, once humdrum\(_{\mathbb{R}}\) is loaded, using ?readHumdrum or ?writeHumdrum.

Reading humdrum data

The readHumdrum() function is the gateway to humdrum\(_{\mathbb{R}}\): it is the function we use to read humdrum data, encoded in humdrum-syntax text files, into R.


In the following examples, we will make use the small number of raw humdrum data files which are included with humdrum\(_{\mathbb{R}}\). To access these files, we need to navigate to the directory where your computer installed humdrum\(_{\mathbb{R}}\)—fortunately, humdrum\(_{\mathbb{R}}\) records where this directory is on your computer in a variable called humdrumRroot. Once we load the humdrum\(_{\mathbb{R}}\) library, we just need to set our R “working directory” to that location using setwd().

library(humdrumR)

setwd(humdrumRroot)

The humdrum data is stored in a subdirectory called “HumdrumData”—we can look at the contents of this directory using dir(recursive = TRUE):


dir('HumdrumData', recursive = TRUE)
>     [1] "BachChorales/chor001.krn"                  
>     [2] "BachChorales/chor002.krn"                  
>     [3] "BachChorales/chor003.krn"                  
>     [4] "BachChorales/chor004.krn"                  
>     [5] "BachChorales/chor005.krn"                  
>     [6] "BachChorales/chor006.krn"                  
>     [7] "BachChorales/chor007.krn"                  
>     [8] "BachChorales/chor008.krn"                  
>     [9] "BachChorales/chor009.krn"                  
>    [10] "BachChorales/chor010.krn"                  
>    [11] "BeethovenVariations/B075_00_01_a.krn"      
>    [12] "BeethovenVariations/B075_00_02_a.krn"      
>    [13] "BeethovenVariations/B075_00_03_a.krn"      
>    [14] "BeethovenVariations/B075_00_04_a.krn"      
>    [15] "BeethovenVariations/B075_00_05_a.krn"      
>    [16] "BeethovenVariations/B075_00_06_a.krn"      
>    [17] "BeethovenVariations/B075_01_01_a.krn"      
>    [18] "BeethovenVariations/B075_01_02_a.krn"      
>    [19] "BeethovenVariations/B075_01_03_a.krn"      
>    [20] "BeethovenVariations/B075_01_04_a.krn"      
>    [21] "BeethovenVariations/B075_01_05_a.krn"      
>    [22] "BeethovenVariations/B075_01_06_a.krn"      
>    [23] "InvalidFile.krn"                           
>    [24] "MozartVariations/M354_00_01a_a.krn"        
>    [25] "MozartVariations/M354_00_02b_a.krn"        
>    [26] "MozartVariations/M354_00_03c_a.krn"        
>    [27] "MozartVariations/M354_00_04d_a.krn"        
>    [28] "MozartVariations/M354_01_01a_a.krn"        
>    [29] "MozartVariations/M354_01_02b_a.krn"        
>    [30] "MozartVariations/M354_01_03c_a.krn"        
>    [31] "MozartVariations/M354_01_04d_a.krn"        
>    [32] "RapFlow/2pac_IGetAround.rap"               
>    [33] "RapFlow/BeastieBoys_BrassMonkey.rap"       
>    [34] "RapFlow/Coolio_GangstasParadise.rap"       
>    [35] "RapFlow/Ludacris_MoneyMaker.rap"           
>    [36] "RapFlow/NotoriousBIG_Hypnotize.rap"        
>    [37] "RapFlow/RobBase_ItTakesTwo.rap"            
>    [38] "RapFlow/WillSmith_Summertime.rap"          
>    [39] "RollingStoneCorpus/all_apologies.hum"      
>    [40] "RollingStoneCorpus/back_in_black.hum"      
>    [41] "RollingStoneCorpus/blue_suede_shoes.hum"   
>    [42] "RollingStoneCorpus/born_to_be_wild.hum"    
>    [43] "RollingStoneCorpus/god_only_knows.hum"     
>    [44] "RollingStoneCorpus/hey_jude.hum"           
>    [45] "RollingStoneCorpus/i_walk_the_line.hum"    
>    [46] "RollingStoneCorpus/kashmir.hum"            
>    [47] "RollingStoneCorpus/layla.hum"              
>    [48] "RollingStoneCorpus/lets_stay_together.hum" 
>    [49] "RollingStoneCorpus/living_for_the_city.hum"
>    [50] "RollingStoneCorpus/me_and_bobby_mcgee.hum" 
>    [51] "RollingStoneCorpus/your_song.hum"

As we can see, there are six directories containing a total of fifty-one files.

Targeting files

To use readHumdrum() we call the function with one (or more) character-string arguments. (In the function documentation (?readHumdrum), you’ll see these arguments called ...—in R, ... means any number of arguments.) These arguments are interpreted as regular expressions, and matched against directories and files on your system. We call these “REpath-patterns,” short for Regular Expression directory-path patterns. For example,


readHumdrum('HumdrumData/BachChorales/chor.*.krn')
>    ######################## vvv chor001.krn vvv #########################
>                1:  !!!COM: Bach, Johann Sebastian
>                2:  !!!CDT: 1685/02/21/-1750/07/28/
>                3:  !!!OTL@@DE: Aus meines Herzens Grunde
>                4:  !!!OTL@EN:      From the Depths of My Heart
>                5:  !!!SCT: BWV 269
>                6:  !!!PC#: 1
>                7:  !!!AGN: chorale
>                8:           **kern         **kern         **kern         **kern
>                9:           *ICvox         *ICvox         *ICvox         *ICvox
>               10:           *Ibass        *Itenor         *Ialto        *Isoprn
>               11:          *I"Bass       *I"Tenor        *I"Alto     *I"Soprano
>               12:        *>[A,A,B]      *>[A,A,B]      *>[A,A,B]      *>[A,A,B]
>               13:     *>norep[A,B]   *>norep[A,B]   *>norep[A,B]   *>norep[A,B]
>               14:              *>A            *>A            *>A            *>A
>               15:          *clefF4       *clefGv2        *clefG2        *clefG2
>               16:           *k[f#]         *k[f#]         *k[f#]         *k[f#]
>               17:              *G:            *G:            *G:            *G:
>               18:            *M3/4          *M3/4          *M3/4          *M3/4
>               19:           *MM100         *MM100         *MM100         *MM100
>               20:              4GG             4B             4d             4g
>               21:               =1             =1             =1             =1
>               22:               4G             4B             4d             2g
>               23:               4E            8cL             4e              .
>               24:                .            8BJ              .              .
>               25:              4F#             4A             4d            4dd
>               26:               =2             =2             =2             =2
>               27:               4G             4G             2d            4.b
>               28:               4D            4F#              .              .
>               29:                .              .              .             8a
>               30:               4E             4G             4B             4g
>    31-133::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>    ######################## ^^^ chor001.krn ^^^ #########################
>    
>           (eight more pieces...)
>    
>    ######################## vvv chor010.krn vvv #########################
>      1-70::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>               71:               4D            8F#             4d             4b
>               72:                .             4G              .              .
>               73:               4D              .             4c             4a
>               74:                .            8F#              .              .
>               75:             2GG;            2G;            2B;            2g;
>               76:              =11            =11            =11            =11
>               77:               2C             2G             2e             2g
>               78:              4AA             4A             4e            4cc
>               79:               4E            4G#            8eL             4b
>               80:                .              .            8dJ              .
>               81:              =12            =12            =12            =12
>               82:               4F             4A             4c             4a
>               83:               4C             4G             4c             4e
>               84:             4BB-             4G            [2d             4g
>               85:              4AA             4A              .             4f
>               86:              =13            =13            =13            =13
>               87:             4GG#             4B            4d]            1e;
>               88:              4AA             4A             4c              .
>               89:             2EE;          2G#X;            2B;              .
>               90:               ==             ==             ==             ==
>               91:               *-             *-             *-             *-
>               92:  !!!hum2abc: -Q ''
>               93:  !!!title: @{PC#}. @{OTL@@DE}
>               94:  !!!YOR1: 371 vierstimmige Choralgesänge von Johann Sebastian B***
>               95:  !!!YOR2: 4th ed. by Alfred Dörffel (Leipzig: Breitkopf und H&a***
>               96:  !!!YOR2: c.1875). 178 pp. Plate "V.A.10".  reprint: J.S. Bach, 371 ***
>               97:  !!!YOR4: Chorales (New York: Associated Music Publishers, Inc., c.1***
>               98:  !!!SMS: B&H, 4th ed, Alfred Dörffel, c.1875, plate V.A.10
>               99:  !!!EED:  Craig Stuart Sapp
>              100:  !!!EEV:  2009/05/22
>    ######################## ^^^ chor010.krn ^^^ #########################
>                  (***four global comments truncated due to screen size***)
>    
>       humdrumR corpus of ten pieces.
>    
>       Data fields: 
>               *Token :: character

uses the REpath-pattern "HumdrumData/BachChorales/chor.*.krn" to match all files in the ‘HumdrumData/BachChorales’ directory whose name matches the regular expression chor.*.krn. As you can see, the REpath-pattern includes directory paths (relative or absolute)—using your operating system’s appropriate delimiter (“" for windows,”/” for everybody else)—and a pattern for matching file paths. Each directory is also treated as a regular expression, possibly matching multiple directories. Let’s break this down: humdrum\(_{\mathbb{R}}\) splits your REpath-pattern input string into three parts: "HumdrumData", "BachChorales", and "chor.*.krn", and treats each of the three as regular expressions. The first two expressions are used to match directories, while the last expression is used to match files. So, while readHumdrum('HumdrumData/BeethovenVariations/.*.krn') matches all the files with the “.krn” extension in the “BeethovenVariations” directories and readHumdrum('HumdrumData/MozartVariations/.*.krn') matches all the files in the “MozartVariations” directories, the command readHumdrum('HumdrumData/.*Variations/.*.krn') will match all kern files in both directories!

readHumdrum('HumdrumData/.*Variations/.*.krn')
>    ###################### vvv B075_00_01_a.krn vvv ######################
>               1:  !!!COM: Beethoven
>               2:  !!!OTL: 7 Variations on a Quartet by Winter
>               3:  !!!Variation: Theme a
>               4:      **function    **harm       **kern                 **kern
>               5:               *         *      *clefG2                *clefG2
>               6:               *         *       *k[b-]                 *k[b-]
>               7:           *M2/4     *M2/4        *M2/4                  *M2/4
>               8:             *F:       *F:          *F:                    *F:
>               9:              4T        4I           4r               4aa 4ccc
>              10:              =1        =1           =1                     =1
>              11:              2T        2I           2f             8ff'L 8aa'
>              12:               .         .            .             8cc'J 8ff'
>              13:               .         .            .             8ff'L 8aa'
>              14:               .         .            .            8aa'J 8ccc'
>              15:              =2        =2           =2                     =2
>              16:              4T       4V7    (4c 4e 4g              (4gg 4bb-
>              17:              4T        4I          4f)               4ff) 4aa
>              18:              =3        =3           =3                     =3
>              19:              2T        2V           4c             8ee'L 8gg'
>              20:               .         .            .             8dd'J 8ff'
>              21:               .         .           4c             8cc'L 8ee'
>              22:               .         .            .             8dd'J 8ff'
>              23:              =4        =4           =4                     =4
>              24:              4T        4V           8c                8ee 8gg
>              25:               .         .           8r                     8r
>              26:              4T        4I           4r               4aa 4ccc
>              27:              =5        =5           =5                     =5
>              28:              2T        2I           2f             8ff'L 8aa'
>              29:               .         .            .             8cc'J 8ff'
>              30:               .         .            .             8ff'L 8aa'
>    31-45:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>    ###################### ^^^ B075_00_01_a.krn ^^^ ######################
>    
>           (eighteen more pieces...)
>    
>    ##################### vvv M354_01_04d_a.krn vvv ######################
>     1-24:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>              25:               .         .            .       .           16b-
>              26:               .         .       8B- 8f       .            16a
>              27:               .         .            .       .        16b-JJ)
>              28:               *         *           *v      *v              *
>              29:             =42       =42          =42                    =42
>              30:               *         *      *clefF4                      *
>              31:              4T       4Ib           8r               (16ee-LL
>              32:               .         .            .                   16ff
>              33:               .         .       8G 8e-                  16gg)
>              34:               .         .            .                 16b'JJ
>              35:              4P       4IV           8r                (16ccLL
>              36:               .         .            .                   16dd
>              37:               .         .      8A- 8e-                 16ee-)
>              38:               .         .            .                16a-'JJ
>              39:             =43       =43          =43                    =43
>              40:               *         *           *^                      *
>              41:              4D       4Cc           8r    2BB-         (16gLL
>              42:               .         .            .       .           16a-
>              43:               .         .          (8G       .          16b-)
>              44:               .         .            .       .         16e'JJ
>              45:              4D       4V7         8A-L       .         (16fLL
>              46:               .         .            .       .            16g
>              47:               .         .         8FJ)       .          16a-)
>              48:               .         .            .       .         16d'JJ
>              49:               *         *           *v      *v              *
>              50:             =44       =44          =44                    =44
>              51:              2T        2I         8E-L                    4e-
>              52:               .         .        8BB-J                      .
>              53:               .         .         4EE-                     4r
>              54:              *-        *-           *-                     *-
>    ##################### ^^^ M354_01_04d_a.krn ^^^ ######################
>    
>       humdrumR corpus of twenty pieces.
>    
>       Data fields: 
>               *Token :: character

Be careful: since each directory/file name is always treated like a regular expression, we can sometimes specify something that is more general than we intend. For instance, the command readHumdrum('MyFolder/.*') will match files in a folder called “MyFolder,” but would also match folders names “MyFolder_Also”, or “ThisIsMyFolder.” If you want to be sure to match exactly one and only one directory/file, use “^” and “$” regular-expression markers to explicitly mark the beginning and end of your pattern: the command readHumdrum('^MyFolder$/.*') will only read files from one directory “MyFolder.”

To read all of our test files we can enter:


readHumdrum('HumdrumData/.*/.*')
>    ######################## vvv chor001.krn vvv #########################
>                1:  !!!COM: Bach, Johann Sebastian
>                2:  !!!CDT: 1685/02/21/-1750/07/28/
>                3:  !!!OTL@@DE: Aus meines Herzens Grunde
>                4:  !!!OTL@EN:      From the Depths of My Heart
>                5:  !!!SCT: BWV 269
>                6:  !!!PC#: 1
>                7:  !!!AGN: chorale
>                8:          **kern        **kern        **kern        **kern
>                9:          *ICvox        *ICvox        *ICvox        *ICvox
>               10:          *Ibass       *Itenor        *Ialto       *Isoprn
>               11:         *I"Bass      *I"Tenor       *I"Alto    *I"Soprano
>               12:       *>[A,A,B]     *>[A,A,B]     *>[A,A,B]     *>[A,A,B]
>               13:    *>norep[A,B]  *>norep[A,B]  *>norep[A,B]  *>norep[A,B]
>               14:             *>A           *>A           *>A           *>A
>               15:         *clefF4      *clefGv2       *clefG2       *clefG2
>               16:          *k[f#]        *k[f#]        *k[f#]        *k[f#]
>               17:             *G:           *G:           *G:           *G:
>               18:           *M3/4         *M3/4         *M3/4         *M3/4
>               19:          *MM100        *MM100        *MM100        *MM100
>               20:             4GG            4B            4d            4g
>               21:              =1            =1            =1            =1
>               22:              4G            4B            4d            2g
>               23:              4E           8cL            4e             .
>               24:               .           8BJ             .             .
>               25:             4F#            4A            4d           4dd
>               26:              =2            =2            =2            =2
>               27:              4G            4G            2d           4.b
>               28:              4D           4F#             .             .
>               29:               .             .             .            8a
>               30:              4E            4G            4B            4g
>    31-133::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>    ######################## ^^^ chor001.krn ^^^ #########################
>    
>           (forty-eight more pieces...)
>    
>    ####################### vvv your_song.hum vvv ########################
>    1-1204::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>             1205:               .             .             .             .
>             1206:               .             .             .             .
>             1207:               .             .             .             .
>             1208:               .             .             6             .
>             1209:            =120          =120          =120          =120
>             1210:               .             .            b3       224.253
>             1211:               .             .             2             .
>             1212:               .             .             .             .
>             1213:               .             .             1             .
>             1214:               .             .             .             .
>             1215:               .             .             1             .
>             1216:               .             .             1             .
>             1217:               .             .             .             .
>             1218:            =121          =121          =121          =121
>             1219:            *tb1          *tb1          *tb1             *
>             1220:               I             I             .       226.135
>             1221:            =122          =122          =122          =122
>             1222:              IV          IV64             .       228.013
>             1223:            =123          =123          =123          =123
>             1224:               V           Vs4             .       229.838
>             1225:            =124          =124          =124          =124
>             1226:              IV          IV64             .       231.691
>             1227:            =125          =125          =125          =125
>             1228:               I             I             .       233.583
>             1229:              *-            *-            *-            *-
>             1230:  !!!ONB: Translated from original encodings in the Rolling Stone C***
>             1231:  !!!ONB: Original transcribers noted in comments in each spine: !D***
>             1232:  !!!YOE: David Temperley, Trevor de Clercq
>             1233:  !!!EED: Nathaniel Condit-Schultz (fathermckenzie.net)
>             1234:  !!!ENC: Nathaniel Condit-Schultz (fathermckenzie.net), automated
>    ####################### ^^^ your_song.hum ^^^ ########################
>                 (***three global comments truncated due to screen size***)
>    
>       humdrumR corpus of fifty pieces.
>    
>       Data fields: 
>               *Token :: character

Note: Since humdrum\(_{\mathbb{R}}\) can read files from multiple directories at once, it is possible that two or more files with the same file name, but in different directories are matched. If this happens, humdrum\(_{\mathbb{R}}\) will read both files, but identifies each file with enough of its directory path to make sure you can distinguish them.


Multi-Argument Approach

Earlier we mentioned that we can have one or more of these RE-path patterns. Why more than one? Well, we can divided our RE-path patterns across multiple arguments (from left to right): Instead of writing readHumdrum("HumdrumData/BachChorales/chor.*.krn"), we can write readHumdrum("HumdrumData", "BachChorales", "chor.*.krn"). Thus these two approaches

readHumdrum("HumdrumData/BachChorales/chor.*.krn")

readHumdrum("HumdrumData", "BachChorales", "chor.*.krn")

are identical. What’s the advantage of this approach? We’ll see in the next section.

Multiple Patterns

Sometimes, expressing all the files you want in a single regular expression is not possible. Luckily, readHumdrum() can accept as many separate patterns you want, just group them into a vector. Instead of writing readHumdrum('HumdrumData/.*Variations/.*.krn'), you could be explicit and write

readHumdrum(c('HumdrumData/BeethovenVariations/.*.krn', 'HumdrumData/MozartVariations/.*.krn'))
>    ###################### vvv B075_00_01_a.krn vvv ######################
>               1:  !!!COM: Beethoven
>               2:  !!!OTL: 7 Variations on a Quartet by Winter
>               3:  !!!Variation: Theme a
>               4:      **function    **harm       **kern                 **kern
>               5:               *         *      *clefG2                *clefG2
>               6:               *         *       *k[b-]                 *k[b-]
>               7:           *M2/4     *M2/4        *M2/4                  *M2/4
>               8:             *F:       *F:          *F:                    *F:
>               9:              4T        4I           4r               4aa 4ccc
>              10:              =1        =1           =1                     =1
>              11:              2T        2I           2f             8ff'L 8aa'
>              12:               .         .            .             8cc'J 8ff'
>              13:               .         .            .             8ff'L 8aa'
>              14:               .         .            .            8aa'J 8ccc'
>              15:              =2        =2           =2                     =2
>              16:              4T       4V7    (4c 4e 4g              (4gg 4bb-
>              17:              4T        4I          4f)               4ff) 4aa
>              18:              =3        =3           =3                     =3
>              19:              2T        2V           4c             8ee'L 8gg'
>              20:               .         .            .             8dd'J 8ff'
>              21:               .         .           4c             8cc'L 8ee'
>              22:               .         .            .             8dd'J 8ff'
>              23:              =4        =4           =4                     =4
>              24:              4T        4V           8c                8ee 8gg
>              25:               .         .           8r                     8r
>              26:              4T        4I           4r               4aa 4ccc
>              27:              =5        =5           =5                     =5
>              28:              2T        2I           2f             8ff'L 8aa'
>              29:               .         .            .             8cc'J 8ff'
>              30:               .         .            .             8ff'L 8aa'
>    31-45:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>    ###################### ^^^ B075_00_01_a.krn ^^^ ######################
>    
>           (eighteen more pieces...)
>    
>    ##################### vvv M354_01_04d_a.krn vvv ######################
>     1-24:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>              25:               .         .            .       .           16b-
>              26:               .         .       8B- 8f       .            16a
>              27:               .         .            .       .        16b-JJ)
>              28:               *         *           *v      *v              *
>              29:             =42       =42          =42                    =42
>              30:               *         *      *clefF4                      *
>              31:              4T       4Ib           8r               (16ee-LL
>              32:               .         .            .                   16ff
>              33:               .         .       8G 8e-                  16gg)
>              34:               .         .            .                 16b'JJ
>              35:              4P       4IV           8r                (16ccLL
>              36:               .         .            .                   16dd
>              37:               .         .      8A- 8e-                 16ee-)
>              38:               .         .            .                16a-'JJ
>              39:             =43       =43          =43                    =43
>              40:               *         *           *^                      *
>              41:              4D       4Cc           8r    2BB-         (16gLL
>              42:               .         .            .       .           16a-
>              43:               .         .          (8G       .          16b-)
>              44:               .         .            .       .         16e'JJ
>              45:              4D       4V7         8A-L       .         (16fLL
>              46:               .         .            .       .            16g
>              47:               .         .         8FJ)       .          16a-)
>              48:               .         .            .       .         16d'JJ
>              49:               *         *           *v      *v              *
>              50:             =44       =44          =44                    =44
>              51:              2T        2I         8E-L                    4e-
>              52:               .         .        8BB-J                      .
>              53:               .         .         4EE-                     4r
>              54:              *-        *-           *-                     *-
>    ##################### ^^^ M354_01_04d_a.krn ^^^ ######################
>    
>       humdrumR corpus of twenty pieces (two subcorpora: _1, _2).
>    
>       Data fields: 
>               *Token :: character

I’ve used the c command to create a vector with two REpath-patterns. However, that was a lot of (bug-prone) typing…what if we combine these multiple patterns with the Multi-Argument Approach from above?:

readHumdrum('HumdrumData',
            c('BeethovenVariations', 'MozartVariations'),
            '.*.krn')
>    ###################### vvv B075_00_01_a.krn vvv ######################
>               1:  !!!COM: Beethoven
>               2:  !!!OTL: 7 Variations on a Quartet by Winter
>               3:  !!!Variation: Theme a
>               4:      **function    **harm       **kern                 **kern
>               5:               *         *      *clefG2                *clefG2
>               6:               *         *       *k[b-]                 *k[b-]
>               7:           *M2/4     *M2/4        *M2/4                  *M2/4
>               8:             *F:       *F:          *F:                    *F:
>               9:              4T        4I           4r               4aa 4ccc
>              10:              =1        =1           =1                     =1
>              11:              2T        2I           2f             8ff'L 8aa'
>              12:               .         .            .             8cc'J 8ff'
>              13:               .         .            .             8ff'L 8aa'
>              14:               .         .            .            8aa'J 8ccc'
>              15:              =2        =2           =2                     =2
>              16:              4T       4V7    (4c 4e 4g              (4gg 4bb-
>              17:              4T        4I          4f)               4ff) 4aa
>              18:              =3        =3           =3                     =3
>              19:              2T        2V           4c             8ee'L 8gg'
>              20:               .         .            .             8dd'J 8ff'
>              21:               .         .           4c             8cc'L 8ee'
>              22:               .         .            .             8dd'J 8ff'
>              23:              =4        =4           =4                     =4
>              24:              4T        4V           8c                8ee 8gg
>              25:               .         .           8r                     8r
>              26:              4T        4I           4r               4aa 4ccc
>              27:              =5        =5           =5                     =5
>              28:              2T        2I           2f             8ff'L 8aa'
>              29:               .         .            .             8cc'J 8ff'
>              30:               .         .            .             8ff'L 8aa'
>    31-45:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>    ###################### ^^^ B075_00_01_a.krn ^^^ ######################
>    
>           (eighteen more pieces...)
>    
>    ##################### vvv M354_01_04d_a.krn vvv ######################
>     1-24:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>              25:               .         .            .       .           16b-
>              26:               .         .       8B- 8f       .            16a
>              27:               .         .            .       .        16b-JJ)
>              28:               *         *           *v      *v              *
>              29:             =42       =42          =42                    =42
>              30:               *         *      *clefF4                      *
>              31:              4T       4Ib           8r               (16ee-LL
>              32:               .         .            .                   16ff
>              33:               .         .       8G 8e-                  16gg)
>              34:               .         .            .                 16b'JJ
>              35:              4P       4IV           8r                (16ccLL
>              36:               .         .            .                   16dd
>              37:               .         .      8A- 8e-                 16ee-)
>              38:               .         .            .                16a-'JJ
>              39:             =43       =43          =43                    =43
>              40:               *         *           *^                      *
>              41:              4D       4Cc           8r    2BB-         (16gLL
>              42:               .         .            .       .           16a-
>              43:               .         .          (8G       .          16b-)
>              44:               .         .            .       .         16e'JJ
>              45:              4D       4V7         8A-L       .         (16fLL
>              46:               .         .            .       .            16g
>              47:               .         .         8FJ)       .          16a-)
>              48:               .         .            .       .         16d'JJ
>              49:               *         *           *v      *v              *
>              50:             =44       =44          =44                    =44
>              51:              2T        2I         8E-L                    4e-
>              52:               .         .        8BB-J                      .
>              53:               .         .         4EE-                     4r
>              54:              *-        *-           *-                     *-
>    ##################### ^^^ M354_01_04d_a.krn ^^^ ######################
>    
>       humdrumR corpus of twenty pieces (two subcorpora: _1, _2).
>    
>       Data fields: 
>               *Token :: character

We get the same result! How did this work exactly? We’ve fed three arguments to readHumdrum(). The first and last arguments ("HumdrumData" and ".*.krn") are length one. However, the middle argument ("...Variations") is of length two. readHumdrum() concatenates the three arguments together, making two separate REpath-patterns:

"HumdrumData/BeethovenVariations/.*.krn"

AND

"HumdrumData/MozartVariations/.*.krn"

Note: It is possible to write multiple patterns which match some (or all) of the same files. If the argument multipleInstances = FALSE, each unique file will only be read once (into the first matching pattern). If multipleInstances = TRUE, the same file(s) can be read more than once.

Pattern Names

Whenever we specific more than one REpath-pattern, humdrum\(_{\mathbb{R}}\) gives them names which we can access in the Label field of the resulting humdrum\(_{\mathbb{R}}\) data object. You can choose these labels by giving names to the patterns in your multi-pattern vectors: Thus, we could write

readHumdrum('HumdrumData',
            c(Rap  = 'Rap/.*',
              Rock = 'RollingStone/.*')) -> rapAndRock

and these two separate patterns will be matched and read and the names "Rap" and "Rock" will be associated with them in the resulting Label field. This feature is very useful if you are working with multiple heterogeneous datasets and you want to be able to apply some analyses/parsing to only one of the data subsets.

Contains

Sometimes you want to only read humdrum files which contain particular data. For instance, you might want to read only the files in a minor key. One option is to read all the files in the corpus then filter out the files you don’t want (see the humdrumR filtering vignette to learn how. However, in some cases, it can save a lot of time and effort to filter the files you want before parsing them. The contains argument of readHumdrum() can be used in just this way! The contains argument must be a character vector—each character string is treated as a regular expression, and only files which contain matches to all of these regular expressions will be read. Thus, we could only read pieces with minor keys by writing:

readHumdrum('HumdrumData', 'BachChorales', 'chor.*.krn',
            contains = '\\*[a-g][-b#]*:') 
>    ######################## vvv chor003.krn vvv #########################
>                1:  !!!COM: Bach, Johann Sebastian
>                2:  !!!CDT: 1685/02/21/-1750/07/28/
>                3:  !!!OTL@@DE: Ach Gott, vom Himmel sieh darein
>                4:  !!!OTL@EN: Oh God, look down from Heaven
>                5:  !!!OPR: Cantata BWV 153: Schau, lieber Gott, wie meine Feind
>                6:  !!!SCT: BWV 153/1
>                7:  !!!PC#: 3
>                8:  !!!AGN: chorale
>                9:           **kern         **kern         **kern         **kern
>               10:           *ICvox         *ICvox         *ICvox         *ICvox
>               11:           *Ibass        *Itenor         *Ialto        *Isoprn
>               12:          *I"Bass       *I"Tenor        *I"Alto     *I"Soprano
>               13:        *>[A,A,B]      *>[A,A,B]      *>[A,A,B]      *>[A,A,B]
>               14:     *>norep[A,B]   *>norep[A,B]   *>norep[A,B]   *>norep[A,B]
>               15:              *>A            *>A            *>A            *>A
>               16:          *clefF4       *clefGv2        *clefG2        *clefG2
>               17:           *k[f#]         *k[f#]         *k[f#]         *k[f#]
>               18:              *a:            *a:            *a:            *a:
>               19:          !dorian        !dorian        !dorian        !dorian
>               20:            *M4/4          *M4/4          *M4/4          *M4/4
>               21:          *met(c)        *met(c)        *met(c)        *met(c)
>               22:           *MM100         *MM100         *MM100         *MM100
>               23:               4E             4e            4g#             4b
>               24:               =1             =1             =1             =1
>               25:               4A             4e             4a            4cc
>               26:               4B             4d            4g#             4b
>               27:               4c             4e             4a             4a
>               28:              8BL            8dL           8g#L            4ee
>               29:              8AJ            8cJ            8aJ              .
>               30:               =2             =2             =2             =2
>    31-110::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>    ######################## ^^^ chor003.krn ^^^ #########################
>    
>           (one other piece...)
>    
>    ######################## vvv chor010.krn vvv #########################
>      1-70::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>               71:               4D            8F#             4d             4b
>               72:                .             4G              .              .
>               73:               4D              .             4c             4a
>               74:                .            8F#              .              .
>               75:             2GG;            2G;            2B;            2g;
>               76:              =11            =11            =11            =11
>               77:               2C             2G             2e             2g
>               78:              4AA             4A             4e            4cc
>               79:               4E            4G#            8eL             4b
>               80:                .              .            8dJ              .
>               81:              =12            =12            =12            =12
>               82:               4F             4A             4c             4a
>               83:               4C             4G             4c             4e
>               84:             4BB-             4G            [2d             4g
>               85:              4AA             4A              .             4f
>               86:              =13            =13            =13            =13
>               87:             4GG#             4B            4d]            1e;
>               88:              4AA             4A             4c              .
>               89:             2EE;          2G#X;            2B;              .
>               90:               ==             ==             ==             ==
>               91:               *-             *-             *-             *-
>               92:  !!!hum2abc: -Q ''
>               93:  !!!title: @{PC#}. @{OTL@@DE}
>               94:  !!!YOR1: 371 vierstimmige Choralgesänge von Johann Sebastian B***
>               95:  !!!YOR2: 4th ed. by Alfred Dörffel (Leipzig: Breitkopf und H&a***
>               96:  !!!YOR2: c.1875). 178 pp. Plate "V.A.10".  reprint: J.S. Bach, 371 ***
>               97:  !!!YOR4: Chorales (New York: Associated Music Publishers, Inc., c.1***
>               98:  !!!SMS: B&H, 4th ed, Alfred Dörffel, c.1875, plate V.A.10
>               99:  !!!EED:  Craig Stuart Sapp
>              100:  !!!EEV:  2009/05/22
>    ######################## ^^^ chor010.krn ^^^ #########################
>                  (***four global comments truncated due to screen size***)
>    
>       humdrumR corpus of three pieces.
>    
>       Data fields: 
>               *Token :: character

(This regular expression matches standard humdrum tandem interpretations for minor keys.)

Finding Files

readHumdrum() interprets REpath-patterns and finds files using the helper function findHumdrum(). If you are not sure where your humdrum files are, or what pattern you want to use to find them, you might start be using findHumdrum(). findHumdrum() takes the same input as readHumdrum(), but doesn’t fully parse the input into humdrum\(_{\mathbb{R}}\). Instead, it returns a data.table containing matching filenames (if any) and raw file content.

If you use the verbose = TRUE option for either findHumdrum() or readHumdrum(), a complete list of all the matches files will be printed. This is useful to check if you are reading the files you intend to read.

Validation

findHumdrum(), and by extension readHumdrum(), are smart functions that will ignore non-humdrum files matched by your pattern. Non-text files (like .pdf or .jpg) will be ignored. Whats more, text files which fail to conform to the humdrum syntax will not be read either. You will see a message that checks which files are “valid humdrum,” and tell you how many (if any) text files are not read.

If you are trying to read a file which you think should be valid humdrum but readHumdrum() won’t read it, use validateHumdrum() to see a detailed report of the problem. Humdrum\(_{\mathbb{R}}\) won’t read files with any humdrum-syntax violations, even relatively minor ones. Once you see the problems that validateHumdrum() is finding in your data, you’ll need to fix them yourself before you can use humdrum\(_{\mathbb{R}}\) on the data. Check out the [validateHumdrum][reference/validateHumdrum.html] documentation to learn more about humdrum\(_{\mathbb{R}}\)’s data validation tools, and how they can be used to identify errors in your humdrum data.

Note that validateHumdrum() does not automatically check if the humdrum data is encoded correctly or makes sense, just that it is structurally sound, in accordance with the humdrum syntax.

Reading files

So, what actually happens when we run readHumdrum()? By now, you’ve seen that readHumdrum() prints out a few messages describing its process.

  1. First, the files which match your search patterns (if any) are identified, and their text is read into R.
  2. Next, these files are checked to see if they are valid humdrum files.
  3. The files are parsed—i.e., translated into humdrum\(_{\mathbb{R}}\)’s data.table backend. This step takes the longest by far, as it includes parsing all the humdrum files’ data tokens, interpretations, reference records, and (worst of all) spine paths. Indeed, reading humdrum data with spine paths will take significantly longer than reading pathless data. To save yourself some time, you can potentially use the tandems and reference arguments (see “Parsing Metadata” below).

Parsing Metadata

By default, humdrum\(_{\mathbb{R}}\) parses all metadata in the humdrum files it reads. This includes the true global metadata for files, encoded in humdrum reference records, as well as the more local tandem interpretations.

Reference Records

By default, humdrum\(_{\mathbb{R}}\) parses all reference records in the files it reads, creating a unique field for each reference key. (If there are more than one instance of any given key, they are combined in a string separated by semicolons.) If there are a lot of unique reference keys in a dataset, they can end up taking a lot of memory in a humdrum table. In these cases, you might find it useful to limit readHumdrum() to only parsing those reference records which you are actually going to use. This can be accomplished quite easily with the reference argument.

The reference argument defaults to "all", which means all reference records are parsed. However, reference can also be a character vector of reference codes.

Thus,

readHumdrum('HumdrumData',
            c('BeethovenVariations', 'MozartVariations'),
            '.*.krn',
            reference = 'COM')
>    ###################### vvv B075_00_01_a.krn vvv ######################
>               1:  !!!COM: Beethoven
>               2:  !!!OTL: 7 Variations on a Quartet by Winter
>               3:  !!!Variation: Theme a
>               4:      **function    **harm       **kern                 **kern
>               5:               *         *      *clefG2                *clefG2
>               6:               *         *       *k[b-]                 *k[b-]
>               7:           *M2/4     *M2/4        *M2/4                  *M2/4
>               8:             *F:       *F:          *F:                    *F:
>               9:              4T        4I           4r               4aa 4ccc
>              10:              =1        =1           =1                     =1
>              11:              2T        2I           2f             8ff'L 8aa'
>              12:               .         .            .             8cc'J 8ff'
>              13:               .         .            .             8ff'L 8aa'
>              14:               .         .            .            8aa'J 8ccc'
>              15:              =2        =2           =2                     =2
>              16:              4T       4V7    (4c 4e 4g              (4gg 4bb-
>              17:              4T        4I          4f)               4ff) 4aa
>              18:              =3        =3           =3                     =3
>              19:              2T        2V           4c             8ee'L 8gg'
>              20:               .         .            .             8dd'J 8ff'
>              21:               .         .           4c             8cc'L 8ee'
>              22:               .         .            .             8dd'J 8ff'
>              23:              =4        =4           =4                     =4
>              24:              4T        4V           8c                8ee 8gg
>              25:               .         .           8r                     8r
>              26:              4T        4I           4r               4aa 4ccc
>              27:              =5        =5           =5                     =5
>              28:              2T        2I           2f             8ff'L 8aa'
>              29:               .         .            .             8cc'J 8ff'
>              30:               .         .            .             8ff'L 8aa'
>    31-45:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>    ###################### ^^^ B075_00_01_a.krn ^^^ ######################
>    
>           (eighteen more pieces...)
>    
>    ##################### vvv M354_01_04d_a.krn vvv ######################
>     1-24:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>              25:               .         .            .       .           16b-
>              26:               .         .       8B- 8f       .            16a
>              27:               .         .            .       .        16b-JJ)
>              28:               *         *           *v      *v              *
>              29:             =42       =42          =42                    =42
>              30:               *         *      *clefF4                      *
>              31:              4T       4Ib           8r               (16ee-LL
>              32:               .         .            .                   16ff
>              33:               .         .       8G 8e-                  16gg)
>              34:               .         .            .                 16b'JJ
>              35:              4P       4IV           8r                (16ccLL
>              36:               .         .            .                   16dd
>              37:               .         .      8A- 8e-                 16ee-)
>              38:               .         .            .                16a-'JJ
>              39:             =43       =43          =43                    =43
>              40:               *         *           *^                      *
>              41:              4D       4Cc           8r    2BB-         (16gLL
>              42:               .         .            .       .           16a-
>              43:               .         .          (8G       .          16b-)
>              44:               .         .            .       .         16e'JJ
>              45:              4D       4V7         8A-L       .         (16fLL
>              46:               .         .            .       .            16g
>              47:               .         .         8FJ)       .          16a-)
>              48:               .         .            .       .         16d'JJ
>              49:               *         *           *v      *v              *
>              50:             =44       =44          =44                    =44
>              51:              2T        2I         8E-L                    4e-
>              52:               .         .        8BB-J                      .
>              53:               .         .         4EE-                     4r
>              54:              *-        *-           *-                     *-
>    ##################### ^^^ M354_01_04d_a.krn ^^^ ######################
>    
>       humdrumR corpus of twenty pieces (two subcorpora: _1, _2).
>    
>       Data fields: 
>               *Token :: character

will only parse the COM reference record in each piece. We can use this to rename our reference fields if we like—in this case,

readHumdrum('HumdrumData',
            c('BeethovenVariations', 'MozartVariations'),
            '.*.krn',
            reference = c(Composer = 'COM'))
>    ###################### vvv B075_00_01_a.krn vvv ######################
>               1:  !!!COM: Beethoven
>               2:  !!!OTL: 7 Variations on a Quartet by Winter
>               3:  !!!Variation: Theme a
>               4:      **function    **harm       **kern                 **kern
>               5:               *         *      *clefG2                *clefG2
>               6:               *         *       *k[b-]                 *k[b-]
>               7:           *M2/4     *M2/4        *M2/4                  *M2/4
>               8:             *F:       *F:          *F:                    *F:
>               9:              4T        4I           4r               4aa 4ccc
>              10:              =1        =1           =1                     =1
>              11:              2T        2I           2f             8ff'L 8aa'
>              12:               .         .            .             8cc'J 8ff'
>              13:               .         .            .             8ff'L 8aa'
>              14:               .         .            .            8aa'J 8ccc'
>              15:              =2        =2           =2                     =2
>              16:              4T       4V7    (4c 4e 4g              (4gg 4bb-
>              17:              4T        4I          4f)               4ff) 4aa
>              18:              =3        =3           =3                     =3
>              19:              2T        2V           4c             8ee'L 8gg'
>              20:               .         .            .             8dd'J 8ff'
>              21:               .         .           4c             8cc'L 8ee'
>              22:               .         .            .             8dd'J 8ff'
>              23:              =4        =4           =4                     =4
>              24:              4T        4V           8c                8ee 8gg
>              25:               .         .           8r                     8r
>              26:              4T        4I           4r               4aa 4ccc
>              27:              =5        =5           =5                     =5
>              28:              2T        2I           2f             8ff'L 8aa'
>              29:               .         .            .             8cc'J 8ff'
>              30:               .         .            .             8ff'L 8aa'
>    31-45:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>    ###################### ^^^ B075_00_01_a.krn ^^^ ######################
>    
>           (eighteen more pieces...)
>    
>    ##################### vvv M354_01_04d_a.krn vvv ######################
>     1-24:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>              25:               .         .            .       .           16b-
>              26:               .         .       8B- 8f       .            16a
>              27:               .         .            .       .        16b-JJ)
>              28:               *         *           *v      *v              *
>              29:             =42       =42          =42                    =42
>              30:               *         *      *clefF4                      *
>              31:              4T       4Ib           8r               (16ee-LL
>              32:               .         .            .                   16ff
>              33:               .         .       8G 8e-                  16gg)
>              34:               .         .            .                 16b'JJ
>              35:              4P       4IV           8r                (16ccLL
>              36:               .         .            .                   16dd
>              37:               .         .      8A- 8e-                 16ee-)
>              38:               .         .            .                16a-'JJ
>              39:             =43       =43          =43                    =43
>              40:               *         *           *^                      *
>              41:              4D       4Cc           8r    2BB-         (16gLL
>              42:               .         .            .       .           16a-
>              43:               .         .          (8G       .          16b-)
>              44:               .         .            .       .         16e'JJ
>              45:              4D       4V7         8A-L       .         (16fLL
>              46:               .         .            .       .            16g
>              47:               .         .         8FJ)       .          16a-)
>              48:               .         .            .       .         16d'JJ
>              49:               *         *           *v      *v              *
>              50:             =44       =44          =44                    =44
>              51:              2T        2I         8E-L                    4e-
>              52:               .         .        8BB-J                      .
>              53:               .         .         4EE-                     4r
>              54:              *-        *-           *-                     *-
>    ##################### ^^^ M354_01_04d_a.krn ^^^ ######################
>    
>       humdrumR corpus of twenty pieces (two subcorpora: _1, _2).
>    
>       Data fields: 
>               *Token :: character

the COM reference records will be parsed but saved into a field called Composer instead of COM.

If you don’t want to parse any reference records, specify reference = NULL.

Tandem Interpretations

Tandem interpretations are used in humdrum data to represent “local,” real-time metainformation associated with specific spines—review our humdrum syntax vignette for more details.

Humdrum\(_{\mathbb{R}}\) can read any arbitrary tandem interpretations in humdrum data. However, if non-standard interpretations are used, humdrum\(_{\mathbb{R}}\) has no way of knowing how to parse them.

By default, humdrum\(_{\mathbb{R}}\) always reads tandem interpretations into a field called Tandem. This field tabulates all tandem interpretations that have so far appeared in a spine in order, concatenating them into a single comma-delimited, from most recent to most distant. For instance, the Tandem field for the spine

**kern
*C:
*M4/4
*MM100
c e
c g
*D:
d f#
*-

is parsed as

""
C:
M4/4,C:
MM100,M4/4,C:
MM100,M4/4,C:
MM100,M4/4,C:
D:,MM100,M4/4,C:
D:,MM100,M4/4,C:
D:,MM100,M4/4,C:

So, the interpretations pile up into a longer and longer string as a piece progresses. Notice that the "D:" and "C:" interpretations get piled up separately, just like any other interpretation, even though they are of the same tandem class, and the "D:" should supersede the "C:". Why do this? Well, in general there is no way to know if an arbitrary tandem interpretations are of the same class. If you create some humdrum data with new interpretations in it, humdrum\(_{\mathbb{R}}\) doesn’t know how to parse them, so will just pile them up like this in the Tandem field.

Fortunately, humdrum\(_{\mathbb{R}}\) does know how to parse many standard tandem interpretations. If you run the command

knownInterpretations[Type == 'Tandem'] 
>                         Name Exclusive
>     1:                   Key          
>     2:          KeySignature          
>     3:                  Clef          
>     4:         TimeSignature          
>     5:           Mensuration          
>     6:                   BPM          
>     7:              Timebase          
>     8:            Instrument          
>     9:       InstrumentClass          
>    10: TransposingInstrument          
>                                                         RE Pretty   Type
>     1: [A-Ga-g][-#b]*:(mix|dor|phr|lyd|loc)?([#bn]?[1-7])*     _: Tandem
>     2:                              k\\[([a-g][#-]* *)*\\]   k[_] Tandem
>     3:                                   clef[A-G]v*[1-5]*  clef_ Tandem
>     4:                     M[1-9][0-9]*/((16)|(32)|[1248])   M_/_ Tandem
>     5:                                      met\\([^)]*\\) met(_) Tandem
>     6:                                            MM[0-9]+    MM_ Tandem
>     7:                     tb[1-9][0-9]*%?[1-9]?[0-9]*[.]*    tb_ Tandem
>     8:                                             I[^C,]+     I_ Tandem
>     9:                                             IC[^,]*    IC_ Tandem
>    10:                                            ITr[^,]*   ITr_ Tandem

we see that there are currently ten classes of tandem interpretations that humdrumR recognizes, each associated with a regular expression. Thus, if we really apply readHumdrum() to this file

**kern
*C:
*M4/4
*MM100
c e
c g
*D:
d f#
*-

it will recognize that the tokens "C:" and "D:" both match the known regular expression for the Key tandem interpretation, and parse them into a field called Key, which would look like:

NA
C:
C:
C:
C:
C:
D:
D:
D:

Likewise, we’d get both TimeSignature and BPM fields.

Custom Tandems

readHumdrum() has a tandems argument which allows us take control of the tandem interpretation parsing process. tandems is a character vector, defaulting to known, which parses all known interpretations into their own fields (following the knownInterpretations table). We can use tandems two ways. 1.) We can remove "known" from the vector and specify the Name of specific tandem interpretations we do want to parse. For instance, if we write tandem = "Clef", the Clef pattern from the knownInterpretations table will be parsed, (but not any of the others). 2.) If a character string in tandems is not "known" or an exact match for a Name in knownInterpretations, it is instead treated as a regular expression to match a new tandem interpretation class. For instance, tandems = "[Aa]pple|[Bb]anana" would match “*Apple”, “*apple”, “*Banana”, or “*banana,” parsing these four patterns into their own field (called [Aa]pple|[Bb]anana]). We could give this field a name by writing tandems = c(Fruit = "[Aa]pple|[Bb]anana"). (In fact, we can rename known interpretations as well, for instance writing tandems = c(Meter = "TimeSignature".)

If tandems = NULL, no tandem interpretations are parsed at all—this can be used to shorten parsing time.

Writing humdrum data

The complement of readHumdrum() is, of course, writeHumdrum(), which takes a humdrum\(_{\mathbb{R}}\) data object and writes it to new data files. The content of the files which exactly match what is shown to you in the “humdrum” view, when you print humdrum\(_{\mathbb{R}}\), so whatever fields are selected are written to files. The only question, then, is what files it writes to.

writeHumdrum() takes the original file names (and directories) of the data you read as the starting point for determining output file names. The default, is simply to take the original file name and adds the prefix “humdrumR_” at the beginning of each file name. writeHumdrum() has a bunch of arguments (prefix, affix, renamer, and extension) which can be used to modify the output file names—see writeHumdrum for details.

The directory argument can, of course, be used to change the output directory files are written to.


Let’s say we’d like to write our chorales data, but with scale degree data only. We’ll name these files by adding the affix “_modified,” and setting the extension to be “.deg” instead of “.kern.”


readHumdrum("HumdrumData", "BachChorales", "chor.*.krn") |>
  mutate(Deg = deg(Token, simple = TRUE)) |>
  writeHumdrum(prefix = '', affix = '_modified', extension = 'deg')
>    Writing humdrum data...
>    Determining validity of new filenames...
>    Preparing text...Writing 10 files...done!

The results are files (in the original directory) names chor001_modified.deg, chor002_modified.deg, etc.

Overwriting

Generally, overwriting your original humdrum data is probably a very bad idea (make sure to back up your data!), which is why writeHumdrum() generates totally new files by default. To avoid accidental overwrites, writeHumdrum() will never overwrite files as long as the overwrite argument is FALSE—which is the default. Even if you specify overwrite = TRUE, writeHumdrum() will ask you to confirm before proceeding.

!!!EMD

!!!EMD: is a humdrum reference code, meaning “Document modification description.” This code is used is to keep track of modifications to humdrum datasets. Humdrum\(_{\mathbb{R}}\) will, by default, insert an !!!EMD record into any files it writes, saying: “Edited using humdrumR, version 0.7.0.4 on (current data/time.”